Artist: Sugar Ray
Genre(s):
Pop: Pop-Rock
Alternative
Rock: Pop-Rock
Pop: Pop-Rock
Alternative
Rock: Pop-Rock
Discography:
In The Pursuit Of Leisure
Year: 2003
Tracks: 12
Sugar Ray
Year: 2001
Tracks: 11
14:59
Year: 1999
Tracks: 13
Floored
Year: 1997
Tracks: 13
Lemonade and Brownies
Year: 1995
Tracks: 14
The Best Of
Year:
Tracks: 15
Belying their origins as a strident casimir Funk metal band, Sugar Ray turned out several of the well-nigh breezily infectious summer singles of the late '90s, hitting on an likable combination of gay pop, lightly funky hip-hop grooves, and reggae lilt. Pegged as likely one-hit wonders after their 1997 find smash "Fly," Sugar Ray managed to wield their life history momentum far yearner than many observers expected, helped in no little part by the teen-mag pinup looks of lead vocaliser Mark McGrath. Of class, it as well helped that the band was capable to duplicate the carefree vibration and effortless catchiness of "Fly" on its subsequent singles. Not everything Sugar Ray recorded drill hole the sonic stamp of "Fly," but that was sure as shooting the sound that made them receiving set staples.
Refined sugar Ray were formed in Orange County, the heavily suburban country south of Los Angeles, in 1992. Guitarist Rodney Sheppard, bassist Murphy Karges, and drummer Stan Frazier had been playing parties together in a hard rock/heavy metal address band, Shrinky Dinx, since the late '80s. Karges served as the touring bassist of L.A. punk veterans the Weirdos in 1990, although a story that Sheppard had once been a shake off phallus on Demesne of the Lost was obviously false. Friend Mark McGrath became the lead vocaliser of Shrinky Dinx after jumping up onstage to perform unitary night, and they soon began collaborating on original material. The set played about the L.A./San Diego area, edifice up a undermentioned, and got one of its friends to finance a music television for one of its original tunes; it lesion up getting them a care with Atlantic in 1994, albeit owing more than to their look and potential. The scourge of legal action by Milton Bradley, which owned the rights to the original Shrinky Dinks toy, forced the band to change its refer to Sugar Ray (after pugilist Sugar Ray Leonard). Around the same clip, they began augmenting their live shows with the turntables of Craig Bullock, aka DJ Homicide, world Health Organization later became an official member of the mathematical group.
Sugar Ray released their debut record album, Lemonade and Brownies, in the spring of 1995. Dominated by fast-growing blue funk metal, with touches of punk and alternative rock, the record's typically roar guitars and smart-ass humour seemed to place the dance orchestra as a potential keg-party front-runner. Commercially, however, the record album stiffed. Atlantic distinct to taste over again, based on the enthusiasm Sugar Ray generated on their drawn-out supporting circuit, and sent them into the studio with manufacturer David Kahne (world Health Organization, among many other credits, had latterly masterminded Sublime's commercial breakthrough). The resultant role, Floored, became double-platinum run into thanks to "Fly," a laid-back groove tailor-made for summertime. With help from reggae wassailer Super Cat, "Fell" set new airplay records at modern-rock wireless, and reigned as peradventure the most omnipresent hit of the summertime. The song didn't sound a great deal like anything else in Sugar Ray's repertoire, ostensible to come out of nowhere, and when Floored failed to grow a significant review impinge on, many fictive that "Fly" was a fluke the band would never be able to reprize.
Over again with Kahne in the producer's professorship, Sugar Ray delivered their third base record album at the start of 1999. The title, 14:59, was a wry reference to Andy Warhol's "15 proceedings of celebrity" dictum, simply as it turned out, the group's time wasn't up by a long jibe. 14:59 lesion up outselling its predecessor, finally going triple platinum. The number one single, the "Aviate"like "Every Morning," shot to identification number 3 on the pop charts and became the group's s number one at modern-rock wireless. Their follow-up singles were successful this time around as well, as the hits "Someday" and "Falls Apart" consolidated the group's growing reputation for summery, radio-friendly alternative pop; addition, the album boasted a guest coming into court from hip-hop legend KRS-One. The band played Woodstock '99 that summer, and likewise made a edgar Albert Guest visual aspect on Run-D.M.C.'s Crown Royal album. In the outflow of 2000, McGrath made his playacting debut depicting a doctor on an episode of the acclaimed play ER. Sugar Ray returned in the summer of 2001 with their self-titled one-quarter record album, which entered the charts at numeral sextet and gave the band its first-ever Top Ten album; meanwhile, the first-class honours degree exclusive, "When It's Over," was another substantial hit in the familiar Sugar Ray mold. But in spite of reviews claiming that the isthmus sounded more than like a band than ever so earlier, Sugar Ray's gross revenue were at last disappointing; perhaps hurt by the comparatively lusterless functioning of follow-up singles "Answer the Phone" and "Ours," the record failed to go atomic number 78 within a year's fourth dimension.
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