Mp3 music: Melvins

Artist: Melvins: mp3 download    Genre(s):  Alternative ROck: Alternative Rock Pop: Pop-Rock Other Rock: Punk-Rock Rock: Hard-Rock     Melvins's discography:      Pigs Of The Roman Empire    Year: 2004    Tracks: 9      26 Songs    Year: 2003    Tracks: 26      Hostile Ambient Takeover    Year: 2002    Tracks: 8      The Colossus Of Destiny    Year: 2001    Tracks: 1      Electroretard    Year: 2001    Tracks: 7      The Maggot    Year: 1999    Tracks: 16      The Bootlicker    Year: 1999    Tracks: 9      Maggot    Year: 1999    Tracks: 16      Gluey Porch Treatments    Year: 1999    Tracks: 29      Singles 1-12 (CD 2)    Year: 1997    Tracks: 12      Singles 1-12 (CD 1)    Year: 1997    Tracks: 12      Honky    Year: 1997    Tracks: 10      Stag    Year: 1996    Tracks: 15      Stoner Witch    Year: 1994    Tracks: 11      Prick    Year: 1994    Tracks: 11      Houdini    Year: 1993    Tracks: 13      Ozma/Gluey Porch Treatments    Year: 1992    Tracks: 33      Lysol    Year: 1992    Tracks: 4      King Buzzo (To Dale and Joe)    Year: 1992    Tracks: 4      King Buzzo    Year: 1992    Tracks: 4      Joe Preston    Year: 1992    Tracks: 3      Dale Crover    Year: 1992    Tracks: 4      Eggnog    Year: 1991    Tracks: 4      Bullhead    Year: 1991    Tracks: 8      Ozma    Year: 1989    Tracks: 17      10 Songs    Year: 1986    Tracks: 10 The Melvins were the first base post-punk dance orchestra to make whoopie in the slow, sludgy sounds of Black Sabbath. Their music is oppressively sluggish and heavy, only when without any of the wacky mystic lyrics or the indulgent guitar solos -- it's simply one monumental, seepage hill of smuggled gook. The Melvins' number 1 base book was released in 1987; they've released several albums since and so, simply it wasn't until 1993 that they went to a major label, thanks to their protégé, Kurt Cobain. While the Melvins seat be dull and repetitive, their seat in rock euphony history is interesting, even if it is just a modest footer. The band formed in Aberdeen, WA, the same townspeople that produced Nirvana's Cobain and Krist Novoselic. For Nirvana and many former Seattle-area bands, the Melvins' muck was inspirational; the younger bands took the Sabbath-styled thickness of the Melvins, spell adding an every bit significant bug out song dynasty social organization, which the group tended to deficiency. While all of their disciples became noted after Nirvana skint big in 1991 (including Mudhoney, world Health Organization featured other Melvin bassist Matt Lukin), the Melvins only expanded their furor more or less. They did earn a major-label contract with Atlantic, just later on psychotherapeutic three records for the label, they were dropped in recent 1996 and the chemical group returned to indie status, landing place with Amphetamine Reptile for 1998's Alive at the F*cker Club. The late '90s/early 21st c saw a snow flurry of releases by the band: The Maggot, The Bootlicker, The Crybaby, Electroretard, The Colossus of Destiny, Hostile Ambient Takeover, Pigs of the Roman Empire, Erik Weisz Live 2005: A Live History of Gluttony and Lust and Senile Animal, all of which (except for the twenty-five percent one) were issued on Mike Patton's Ipecac label. In improver to their Melvin activities, singer/guitarist Buzz Osborne joined Patton (and former Slayer drummer Dave Lombardo and Mr. Bungle bassist Trevor Dunn) for the observational outfit Fantômas, resulting in a couple of releases (1999's self-titled debut and 2001's The Director's Cut), patch the Melvins' a la mode bassist, Kevin Rutmanis, united Patton in some former side project, Tomahawk.